

Labeled as being Oblique, Slanted, Incline, Cursive or E.g., 'italic' isĬommonly used to label slanted text, but slanted text may also be Unfortunately, there exists no well-defined and universallyĪccepted taxonomy for classifying fonts, and terms that apply to oneįont family may not be appropriate for others. Setting font properties will be among the most common uses of style The CSS Working Group is also developing CSS level 2 revision 2 (CSS 2.2). Please, see "Cascading Style Sheets (CSS) - The Official Definition" in the latest CSS Snapshot for a list of specifications and the sections they replace. Wikimedia Commons has media related to Kris Holmes.Note: Several sections of this specification have been updated by other specifications. Women in Graphic Design Jovis, Berlin: 2012, p.

Font designs additionally licensed by Adobe Systems, Agfa Corporation, ITC, Hewlett Packard, Linotype Library, and Monotype Typography.Īs the principal artist at Bigelow & Holmes, Holmes is responsible for the creation of over 100 digital typefaces, including conception, research, drawing, computer input, digital editing, and production management.
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Font designs include: Microsoft Wingdings ( Windows 95 and 98), Lucida Console ( Windows NT), TrueType Chicago, Monaco, Geneva, New York, Apple Chancery, Textile, Capitals (Macintosh OS), Lucida Unicode (Java, Solaris, and Lucent Inferno). Other computer platform clients include the Microsoft Corporation, Sun Microsystems’ Solaris division, and Lucent Technologies. These multilingual fonts cover five scripts, including Latin, Greek, Cyrillic, Hebrew and Arabic, and twelve styles, comprising 10,000 characters in all. Recent projects include the design of Lucida Grande, the system font for Apple Computer's OS X Operating System and the creation of the core fonts of the Java 2 language and developer kit for Sun Microsystems. She has taught at the Rochester Institute of Technology in both the Graphic Design and the Film Departments, Portland State University, the Museum Art School (Portland), Rhode Island School of Design, Santa Monica College, and the Otis College of Art and Design. from Harvard University and her MFA from UCLA Film School in Animation. In New York, she then continued her education by studying calligraphy and type design with Hermann Zapf and typeface design with Ed Benguiat as well as modern dance at the Martha Graham and Alwin Nikolais schools. Reynolds and modern dance with Judy Massee.

At Reed College in Portland, Oregon, Holmes studied calligraphy with Calligrapher Laureate of Oregon Lloyd J.
